When I heard that Joker: Folie à Deux is a musical, my jaw dropped. And not in a good way. While I love musical theater and plan to watch the film with an open mind, I can’t help but think that the lack of transparency about this huge genre shift might be one of the boldest yet most tone-deaf marketing moves I’ve seen. This wasn’t advertised as “Joker the Musical”—instead, fans were left to discover this shift the hard way, likely with a mix of confusion and frustration. Was It Too Much of a Risk? When Joker debuted in 2019, it captivated audiences with its gritty, psychological tone, presenting a deep, unsettling look into the mind of Arthur Fleck. The follow-up, however, introduces musical elements, a significant genre shift that could easily catch audiences off guard—especially if they’re expecting the same intense, grounded storytelling. A bold choice like this works best when the audience is primed for it, allowing them to be open-minded rather than confused or disappointe...
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